439 безплатни аудиофайлове за "Pro Tools"

The sound of a 8mm film camera being wound up and letting it run. There is a variation between the shutter speed. Single shutter sounds and continious running. 24 bit48000 khzrecorded on rode video mic gomixed in pro tools.

This racing vehicles recording 2 track. It might be viable for use in racing and driving video games. But over the past few years, games emerged as some of the top-selling products in video and computer gaming. The main focus in such a project would be on generating a score by merging a few sounds in the background of the soundtrack (such as bumping or breaking) with specific vehicle sound effects (such as braking). Loops would be used to affect pre-composed music, using live data to change the mix and instrumental direction (such as the dynamics, texture or timbre), or even the pitch, rhythm or tempo), moreover, the musical soundtrack for racing vehicle gameplay could be stored in a memory card to use in digital sport car sounds unit that convenient sound effects according to the processes, which is essential to participate in the training driver by granting the user with more information. In real life, the driver has more sensory information.

This is a recording of myself banging a garden chair, an old table and a ladder together to create an earthquake element. It is completely raw, so no processing has been done, no eq, nothing. I recorded this in my living room with my trusty sennheiser mkh 416, straight into an mbox mini and into pro tools.

My drum loops created in pro tools from the winston's "amen brother" break. These are just tests, although they do loop quite nice if you line them up right. . . . . Respect to those who want to resurrect old school jungle, hit me up if you wanna collab!big-up to thej_unglistsa_gainstp_erpetratorm_ovement.

Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.

Fireball explosion with natural rolling decay and delayed single reflection. The pyrotechnic explosion took place in the forest at el tejon ranch in late march 2013 during a film shoot. The sound was recorded using a schoeps mk41 supercardioid condenser microphone running into a sound devices 442/722 mixer/recorder combo. I cleaned up extraneous background noise using pro tools and izotope rx. Enjoy!.

This sound is the sound of the door to my bathroom closing from the outside. To record this i used my sontronics stc-10 microphone, my audiobox interface and pro tools on my mac at 48khz, 24 bit. I recorded this sound to be used as foley for a door closing off screen in a student film. I uploaded as i thought it might come in useful to others.

To create this sound i hit an apple with a pair of scissors in my bedroom. It sounds as if someone is being hit over the head with a hammer - i created it as foley for a student film for this purpose. To record i used my sontronics stc-10 microphone and my audiobox interface running pro tools from my mac at 48khz, 16 bit.

A sting / stab (or stinger) to use for an accent, transition, or fx. Good for horror, science fiction, etc. Gear: pro tools 10. 3. 9, korg triton, concert bass drumcreated on: april 26, 2015. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.

The philharmonie organ from welte, freiburg in germany, was built for the luxury liner "titanic" but it was not finished on time and thereby escaped the sinking of the ship on april, 14, 1912. The organ is part of the "deutsches musikautomatenmuseum bruchsal" http://www. Dmm-bruchsal. De/. Recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

At the morning, saint-blimont, la somme, france. Recorded on 2018/11/01 at 8h24 by a rode nt4, sound devices 302 and olympus ls100. This is a good example that the rode nt4 is not a good system for quiet ambiances. High-pass (160 hz) on the sound devices, +12 db gain on pro tools.

The carousel organ is recorded in the "deutsches musikautomaten museum bruchsal" (germany) the now some 500 exhibits of the museum shows the evolution of the music machines since the craft production in the 17th and 18 on the century heyday in the late 19th century to the end at the time of the great depression in the 1920s. Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

A computer-generated voice build specifically for a video game called artemis spaceship bridge simulator. I wrote the text, put it through a royalty-free text to voice generator. Then i edited it in pro tools with several fx to achieve the proper mood. I specifically use it with artemis bridge tools, which lets this track be triggered by game events. I am not affiliated with this video game in any way. Just a passionate sound designer with a gaming habit. For this track, the computer says "docking complete. ".

I was recording some cloth foley when, all of a sudden, a sickening burp emerged straight into the microphone. I think you could also use this sound as part of someone puking. Recorded with an akg c414 in hyper-cardioid mode through a scarlett 6i6 into pro tools 10. If you use this sound let me know as i'm curious to see what kind of uses it has.

A hot summers day in the deep swedish forest. Recorded with zoom h5 with two dpa 4060 mounted in a ab stereo fashion. Birds chatting and bugs flying by is major elements in this field recording. Decided not to remove to much of the bugs in post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Hope you like it.

Sony dvp-s530d cd/dvd player. A couple of takes of the disc tray being gently pushed closed. The first take includes the sound of the player spinning up a disc. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position and overall sound.

To create this sound i recorded a disposable lighter in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

Braun model 3105 coffee maker. Multiple takes of picking up and replacing the glass carafe on the hotplate. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position. The akg has more of a "room" perspective whereas the sennheiser gives a close up, detailed perspective.

This is a recording of me, walking on the sidewalk of a road during heavy rain and wind. The cars passing me is driving through the water. I am using a røde blimp with deadcat in my hand, containing a sennheiser mkh 416 and a ambient ate 308 emesser in a ms-stereo setup. The recorder that i use is a zoom f6, but the ms-stereo decoding is done in pro tools in post. 32bit float 48khz.

To create this sound i recorded myself opening a can of coke in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

The snailhorn is a wind instrument. (skrt. Skankha, tib. Dung kar, jap. 陣貝, jinkai, 法螺貝, horagai)it is from the shell of a snail manufactured, the tip is detached. Often the snail shell by engraving or ornamented metal versions. Sometimes it is also a mouthpiece of metal used. With hindsight bubbles - similar to a horn or a trumpet - creates a distinctive, penetrating tone. The snail horn is used in different cultures and different symbolic meanings. Recording: tascam hd-p2 and beyerdynamic mce82;. Soundsystem: pro tools le.

A hot summer afternoon in the swedish forest/mountains. Recorded with zoom h5 (xy) outside the cabin i rented. Recording mostly consists of birds and general life from people moving/talking as they arrive to their cabins with family. Its intended to represent a peaceful vibe with some human presence. I decided to not remove much movement/actions from the people such post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Ps. I have a version with 2 dpa 4060 in a ab stereo fashion of the same recording, abit noisy but its on my profile if you want to listen. Hope you like it.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: ksharp_a2_mf. Wavinstrument family: stringsinstrument: harpnote: a2midi note: 45midi velocity (center): 63location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pair, at pro 37's closeperformer: k. Smith.

While making an ambient track simulating a fortune teller's caravan, i designed 3 sounds in pro tools by layering and editing presets within ambience and soft pads. They add a bit of magical flare when the tarot card reader turns over a card. This sound can be used for any kind of transition, item acquisition, quest accomplished, or other quick sound effect which needs a light, magical quality. Feel free to use these sounds however you see fit. No need to credit me, but i'd love to hear how my sounds are useful to you in the comment section below.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: glock_medium_c7. Wavinstrument family: percussioninstrument: glockenspielnote: c7midi note: 96midi velocity (center): 63location: durham, ctroom type: band rehearsal roommicrophone: 2x sm-57 spaced pair, 1x akg pro 37 overheadperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: anvil_hit1_v1_sum. Wavinstrument: percussionnote: f#4midi note: 67midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, at pro 37's overhead, se2200aii closeperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_sus_a2_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: sustainnote: a3midi note: 57midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_stac_a#1_v1_rr1. Wavinstrument family: brassinstrument: f hornarticulation: staccatonote: a#2midi note: 46midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_mute_a#1_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: muted sustainnote: a#2midi note: 46midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

Xy stereo recording from gärdet subway station in stockholm. This focuses on an older trains doors, various steams and similar "heavy" sound elements. In post: edited in pro tools with som bass cutting (eq) and automation to make some sounds stand out but still sound realistic. Put on a light compressor and pich-shifted down some elements to give more depth. This was in someway inspired by "dead space" tram and door sounds but slightly less "massive" and haunting. Ps. There's 2 versions of this recording. The one with "nr" in the title is noise reduced so sounds like the doors and steam are somewhat separated from the background. Hope you like it.

My mother's house is the keeper of a trend by sligh grandfather clock named bonnie. Each time i pass by it, i admire the sound. I decided to capture it. It's mostly a clean recording outside of the occasional bird chirp or atmospheric sound. Easy to clean up, edit, and loop. Enjoy!. Recorded using an oktava mk-012-01 through a focusrite scarlett 2i2 audio interface; captured at 96k 32bit float, and bounced down to 48k/24bit in pro tools on windows 11. The mic was placed about two inches away, perpendicular to the face of the clock with the dial window open. The only processing i applied was a fabfilter proq3 48db/oct low cut at 110hz to eliminate of some of the room/ac rumble.

A variant of the mechanical instruments and play an independent musical instrument is the "dancing bear" (tanzbär), a self-playing accordion, often with the same grade band rolls or even micro-boxes can be controlled. Also here are the sounds through the air to the schwingen tongue to bring, as in the normal accordions also erzeugt. Den dancing bears, there are now almost one hundred years and he was from the leipzig firm made famous as well. Today, these e. G. By blüml, hofbauer and watterott, each with different techniques. This famos instrument is recorded in the "deutsches musikautomaten-museum bruchsal"http://www. Landesmuseum. De/website/deutsch/sammlungsausstellungen/aussenstellen_und_zweigmuseen/deutsches_musikautomaten-museum_bruchsal/ausstellung. Htm. Music is free from gema-fees. Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

During the second half of the nineteenth century, the firm of michael welte und söhne in freiburg-im-breisgau, southern germany, achieved world renown as a manufacturer of orchestrions. Over several decades it built up a skilled workforce, both for the construction of the instruments and for the arrangement of the music rolls which caused them to play. So in 1904, it was ideally placed to develop an experimental piano playing device, with the aim of reproducing the recorded performances of the finest pianists of the day. What we now know as the welte-mignon was originally called, quite simply, the mignon, an essentially french word meaning both small and pleasing, to distinguish it from the firm's other instruments, which were all considerably larger. Http://www. Pianola. Org/reproducing/reproducing_welte. Cfm. Pianist: eugen d'albert (1864 - 1932)instrument: deutsches musikautomaten museum bruchsal (germany). Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le. .

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

Ambience of construction work in a village in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son de travaux dans un village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

August, 2nd 2013. About eight and a half minutes worth of summer evening ambience, with crickets and cicadas leading the evening songs. Nothing too eventful, but a nice finish to a great day. Recorded at 48khz, 24 bit. Stereo pair of behringer c-2s (cardioid). The mics have an on-board 3-position switch, with labels "flat," "low-cut," and "-10db. " the switch was set in the -10db position (whoops!). It is unclear if this position also activates the low-cut. Additionally, a 24db/oct low-cut applied in pro-tools at 80hz to clean up a slight wind ruffle. Since it was late at night, and the rest of the family was in bed, i opened my window and placed the microphones (almost) right up against the screen. The a/c unit you can hear is directly below the window. Around the 4:45 mark, the digital thermostat hit a programming mark and kicked the air conditioner back on. Roughly one minute later, i adjusted the thermostat to turn the unit back off. Location: suburbs of atlanta. Free to use whenever and wherever! i'd be interested to hear/see where you use it!.